December 4, 2019

Priestess - Prior to the Fire

By Calen Henry. In 2007 Priestess' straightforward hook-filled hard rock caught the attention of Neversoft, developers of the Guitar Hero series. The Montreal band became a flash in the pan when “Lay Down”, from their debut album Hello Master was featured in Guitar Hero 3
By Calen Henry.


In 2007 Priestess' straightforward hook-filled hard rock caught the attention of Neversoft, developers of the Guitar Hero series. The Montreal band became a flash in the pan when “Lay Down”, from their debut album Hello Master was featured in Guitar Hero 3. But by that point the franchise was just past its peak so Priestess didn’t get the exposure a band like The Sword did with Guitar Hero II, the series’ apex.

Priestess' much overlooked 2009 follow up, Prior to the Fire, saw the band mixing their hooky, driving hard rock with progressive rock and filling the album with fantasy and sci-fi themes. The final product was such a departure from the radio-ready Hello Master that the band ended up parting ways with their US label, delaying the album's American release until they signed with Tee Pee Records.

The differences from its predecessor, though, are why it’s such an excellent record and why, even ten years later, nothing quite sounds like it. Mastodon’s Crack the Skye is often cited as the pinnacle of rock, metal, and prog’s modern coalescence, and rightly so. It’s my favourite album, but Priestess were right there too adding a heavy dose of prog to hard rock without losing any of the energy. They expertly combined hard driving rhythms with serpentine riffs, time signature changes, and unpredictable song structures, all with vintage sounding production for something unequaled ten years later.

Axemen Mikey Heppner and Dan Watchorn really set the sound for the album with custom stacks made by boutique Montreal outfit Richtone. The warm tube driven crunch was ever present, never spilled over into full-blown distortion and was a great fit for the natural drum sound. Mikey’s vocals were a touch gravelly as well, giving the whole album a tour-tested grit that feels classic even though the songs are about everything from Jack the Ripper and werewolves to Robocop, Lone Wolf and Cub, and Dragonball Z. It’s nerd rock with swagger.

You can even still grab the translucent green/orange double LP and a t-shirt from Bandcamp, which is a bit sad since that seems to mean physical sales were low enough they're still selling the first run of LPs ten years later. As for the present, the band has been on hiatus since 2012 and, though I long for more from them, it seems unlikely. For the rest of you, who may have missed out on one of my favourite albums of all time, it’s right there on Bandcamp. 

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